As a slightly more “relaxed” way of nature photography, we have macro images of plants or insects that involve close-ups and details. Since some of these creatures are too small for the naked eye to see, these macro shots allow us to estimate their tiny details on a larger scale and introduce us to a whole new world that we wouldn`t have known so well before. Wildlife photography is about capturing animals in their natural habitats. Animals are often photographed in action, by . B while eating, fighting or fleeing. Alternatively, more static portraits can be used to show details of the animal or depict it in its environment. Captive or controlled animals are often photographed instead of real wild specimens, although one may wonder if this is a true photograph of wildlife. Color images are not a prerequisite for nature photography. Ansel Adams is famous for his black and white depictions of nature, while Galen Rowell praised Fujifilm Velvia for its bright, saturated colors, asking, “Who wants to make boring images that last a hundred years?”  Both men distinguish between photography as an expressive art form and sensitometry; Accurate reproduction is not necessary. Nature photographs are published in scientific, travel and cultural magazines such as National Geographic Magazine, National Wildlife Magazine and Audubon Magazine, or other more specific magazines such as Outdoor Photographer and Nature`s Best Photography. Well-known nature photographers include Ansel Adams, Eliot Porter, Frans Lanting, Galen Rowell and Art Wolfe. The following table summarizes the adjustments that can be made to an image of nature Nature photography and nature conservation often go hand in hand.
Many conservationists have started photographing landscapes and wildlife to gain support for their cause. Nature photographers can see the impact of their photos and inspire people to help the environment. Photographing wildlife living in its natural habitat has been a way to bring a little nature into people`s living rooms and learn more about the other inhabitants of our planet. At work, a nature photographer can easily expose his subject animal to its predators or prevent it from feeding. You can also accidentally step on a rare flower that would take years to grow back, otherwise it will not be revived at all. To avoid such cases, many nature photography associations and their members have put in place a set of ethical practices that protect the well-being of all parties involved in the issue. In addition to the aforementioned knowledge about the behavior of animals and the fragility of the ecosystem, ethics emphasizes the safe and pleasant distance between man and animal, encouraging the former not to expose themselves during work so as not to frighten the latter. Nature photography is a matter of respect – for wildlife, the law, the environment and other photographers, and as long as they follow the rules, they can get their images without any problems. Common definition for nature and animal photography agreed Nature photography includes all forms of photography where the main subject has something to do with nature. Some of the most common types of nature photography include photographing wild animals, plants and flowers in their natural environment as well as in landscapes. Other types of nature photography include celestial bodies such as the sun, moon, and stars; insects and arachnids; and underwater creatures. The Photographic Society of America (PSA) is a non-profit educational organization founded in 1934 dedicated to promoting the art and science of photography.
It is an international organization made up of individual members, clubs, associations and social members from all over the world. The company publishes the PSA Journal, offers recognition for international exhibitions, publishes an annual Who`s Who in Photography list, offers online educational courses for photographers, offers study groups and other services to members, organizes an annual conference and offers events throughout the year through its chapters, membership councils and clubs, and awards honors, awards and other recognitions to photographers. www.psajrhoto.orE. Contact: Daniel Charbonnet, e: exhibitVP@psa-photo.org The Royal Photographic Society is an educational charity founded in 1853 to “promote the art and science of photography”. With membership open to all, the Society is the UK`s largest organisation representing photographers with over 11,000 members in the UK and abroad. The company publishes the RPS Journal and imaging science journal and organises over 300 events in the UK and abroad. For more information, see: www.rps.org. Contact: Dr. Michael Pritchard, Director General, e: email@example.com The world`s largest photography organizations, the Photographic Society of America, the International Federation of Photographic Art and the Royal Photographic Society, have agreed on a definition of nature and wildlife photography to be applied to photography competitions.
  Wildlife photography techniques are very different from those used in landscape photography. For example, in wildlife photography, large apertures are used to achieve a fast shutter speed, freeze the movement of the subject, and blur backgrounds, while landscape photographers prefer small apertures. Wildlife is also usually photographed with long telephoto lenses at great distances. The use of such telephoto lenses often requires the use of a tripod (because the longer the lens, the harder it is to hold it in your hand). Many wildlife photographers use blinds or camouflage. Many photographers take texture images from a stone, tree bark, leaf, or other small scene. Many of these images are abstract. Tiny plants and mushrooms are also popular themes. Nature photography up close doesn`t always require a true macro lens.
However, the scenes here are small enough to be generally different from normal landscapes. To see examples of nature definitions, go to www.psa-photo.org, click on “Nature” in the “Divisions” drop-down menu. Scroll down to “Information from the Department of Nature” and click on “Definition of Nature”. Under Nature Division Judges` Guide, click pdf. No technique is allowed to add, move, replace, or delete image elements except by cropping. Techniques that enhance the presentation of the photo without altering the natural history or content of the image, or altering the content of the original scene, are allowed, including HDR, focus stacking, and dodging/burning. Techniques that remove elements added by the camera, such as dust stains, digital noise, and film scratches, are allowed. Merged images are not allowed. All allowed adjustments should seem natural. Color images can be converted to monochrome grayscale. Infrared images, whether direct or derived images, are not allowed.
Commenting on the new definition, John Davis, President of PSA, Riccardo Busi, President of FIAP and Derek Birch, President of The RPS, said: “Developing a common definition of nature and wildlife photography will be an important step in helping photographers, many of whom participate in international competitions, to know the rules. This will also give the organizers a very clear definition if they have to deal with the issue of ineligible images. We want to encourage other competition organisers to adopt the definition. The introduction of a common definition is mainly intended to bring clarity to competitors. In addition, it will support the efforts of the three agencies and their affiliated organizations to take action against those who wish to seize ineligible images or abuse the rules. Much of nature photography is made for scientific, travel, and cultural publications, but they are often considered the best examples of art photography, where aesthetics become the main value of an image. The purpose of nature photography is to convey the splendor of our most beautiful natural landscapes, nature and national parks and the creatures that live there. For wildlife or nature photographers, it takes a great understanding of various factors to capture these moments as they intended. .